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sábado, 3 de março de 2012

Raul Seixas - Rock das "Aranha"

Raul Santos Seixas (June 28, 1945 Salvador Northeast Brazil – August 21, 1989), was a Brazilian rock composer, singer, songwriter and producer. He is sometimes called the "Father of Brazilian Rock" and "Maluco Beleza". He was born in Salvador (Bahia), Brazil, and died of pancreatitis in São Paulo. Every year on Seixas' birthday, legions of fans, including hundreds of impersonators (many even changing their last name to Seixas as a sign of idolatry), throw a parade in his honor in downtown São Paulo.
His body of work consists of 21 albums released along his 26-year career. His musical style is mostly rock and ballad, although he wrote songs in many different styles, including variations of styles typical of his native Northeastern Brazil like Forró and Baião, and in fact often used more than one style in the same song, as in "Let Me Sing, Let Me Sing". His debut album, Raulzito e Os Panteras (1968), was produced when he was part of a band of the same name. However, he only gained prominence and critical audience with songs from the album Krig-Há, Bandolo! (1973), such as "Ouro de Tolo" ("Fool's Gold"), "Mosca na Sopa" ("Fly in the Soup"), and "Metamorfose Ambulante" ("Walking Metamorphosis"). Raul Seixas developed a unique musical style that emphasized the maverick and the mystic. His album Gita (1974), influenced by figures such as Aleister Crowley, expresses his views very directly.
Many songs in Gita were co-written with his frequent collaborator, fellow mystic, and future worldwide bestselling author Paulo Coelho. Raul was interested in philosophy (especially metaphysics and ontology), psychology, history, literature and Latin. In October 2008, nineteen years after his death, Raul Seixas was placed in 19th position in a List of One Hundred Greatest Artists of Brazilian music sponsored by the Brazilian edition of Rolling Stone magazine, topping the likes of Milton Nascimento, Maria Bethania, Heitor Villa-Lobos and others, demonstrating the influence that Seixas' music continues to hold today.



Rock of the Spider

I climbed the garden wall
And I saw a sex
What is not normal
And no one will believe
I saw two women
Putting spider to fight ...

Two spider, two spiders
Two spider, two spiders
Come on woman leaves the persistence
my snake
Want to fuck your spider ...

My whole body trembled
And do not even my snake understand
How can
Two spider rubbing
I'm knowing
Something's lacking ...

It's my snake, taught snake
It's my snake, taught snake
Come on woman leaves the persistence
my snake
Want to fuck your spider ...

Must have a good explanation
What are these spider
So doing there on the ground
A above, one below
The snake asked
Where do I fit?

It's my snake, taught snake
It's my snake, taught snake
Come on woman leaves the persistence
my snake
Want to fuck your spider ...

I let the snake
And she went straight
Was proposed through the spider
Show how practical
What is certain
Snake with spider
This is what works
Spider with Spider
never worked ...

It is my snake
Snake with spider
It is my snake
With your spider
Come on woman leaves in the persistence
my snake
Want to fuck your spider ...

It is the rock of the spider
It is the rock of the spider
It is the rock of the spider
It is the rock of the spider
Come on woman leaves in the persistence
my snake
Want to fuck your spider!

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